Add better documentation for the Source trait

This commit is contained in:
Pierre Krieger 2017-02-08 18:10:41 +01:00
parent 6348dd82a0
commit 522ad12a2d
2 changed files with 74 additions and 4 deletions

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@ -2,9 +2,13 @@
//!
//! There are two main concepts in this library:
//!
//! - Sources, represented with the `Source` trait, that provide sound data.
//! - Sources, represented with [the `Source` trait](source/trait.Source.html), that provide sound
//! data.
//! - Sinks, which accept sound data.
//!
//! > **Note**: If you are not familiar with what a sound is or how a sound is stored in memory,
//! > check out the documentation of [the `Source` trait](source/trait.Source.html).
//!
//! In order to play a sound, you need to create a source, a sink, and connect the two. For example
//! here is how you play a sound file:
//!

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@ -37,6 +37,72 @@ mod volume_filter;
mod zero;
/// A source of samples.
///
/// # A quick lesson about sounds
///
/// ## Sampling
///
/// A sound is a vibration that propagates through air and reaches your ears. This vibration can
/// be represented as an analog signal.
///
/// In order to store this signal in the computer's memory or on the disk, we perform what is
/// called *sampling*. The consists in choosing an interval of time (for example 20µs) and reading
/// the amplitude of the signal at each interval (for example, if the interval is 20µs we read the
/// amplitude every 20µs). By doing so we obtain a list of numerical values, each value being
/// called a *sample*.
///
/// Therefore a sound can be represented in memory by a frequency and a list of samples. The
/// frequency is expressed in hertz and corresponds to the number of samples that have been
/// read per second. For example if we read one sample every 20µs, the frequency would be
/// 50000 Hz. In reality, common values for the frequency are 44100, 48000 and 96000.
///
/// ## Channels
///
/// But a frequency and a list of values only represent one signal. When you listen to a sound,
/// your left and right ears don't receive exactly the same signal. In order to handle this,
/// we usually record not one but two different signals: one for the left ear and one for the right
/// ear. We say that such a sound has two *channels*.
///
/// Sometimes sounds even have five or six channels, each corresponding to a location around the
/// head of the listener.
///
/// The standard in audio manipulation is to *interleave* the multiple channels. In other words,
/// in a sound with two channels the list of samples contains the first sample of the first
/// channel, then the first sample of the second channel, then the second sample of the first
/// channel, then the second sample of the second channel, and so on. The same applies if you have
/// more than two channels. The rodio library only supports this schema.
///
/// Therefore in order to represent a sound in memory in fact we need three characteristics: the
/// frequency, the number of channels, and the list of samples.
///
/// ## The `Source` trait
///
/// A Rust object that represents a sound should implement the `Source` trait.
///
/// The three characteristics that describe a sound are provided through this trait:
///
/// - The number of channels can be retreived with `get_channels`.
/// - The frequency can be retreived with `get_samples_rate`.
/// - The list of values can be retreived by iterating on the source. The `Source` trait requires
/// that the `Iterator` trait be implemented as well.
///
/// # Frames
///
/// The samples rate and number of channels of some sound sources can change by itself from time
/// to time.
///
/// > **Note**: As a basic example, if you play two audio files one after the other and treat the
/// > whole as a single source, then the channels and samples rate of that source may change at the
/// > transition between the two files.
///
/// However, for optimization purposes rodio supposes that the number of channels and the frequency
/// stay the same for long periods of time and avoids calling `get_channels()` and
/// `get_samples_rate` too frequently.
///
/// In order to properly handle this situation, the `get_current_frame_len()` method should return
/// the number of samples that remain in the iterator before the samples rate and number of
/// channels can potentially change.
///
pub trait Source: Iterator
where Self::Item: Sample
{
@ -44,14 +110,14 @@ pub trait Source: Iterator
/// "until the sound ends".
/// Should never return 0 unless there's no more data.
///
/// After the engine has finished reading the specified number of samples, it will assume that
/// the value of `get_channels()` and/or `get_samples_rate()` have changed.
/// After the engine has finished reading the specified number of samples, it will check
/// whether the value of `get_channels()` and/or `get_samples_rate()` have changed.
fn get_current_frame_len(&self) -> Option<usize>;
/// Returns the number of channels. Channels are always interleaved.
fn get_channels(&self) -> u16;
/// Returns the rate at which the source should be played.
/// Returns the rate at which the source should be played. In number of samples per second.
fn get_samples_rate(&self) -> u32;
/// Returns the total duration of this source, if known.